PhD candidate in Cinema Studies. Master in Contemporary Art, University of Salamanca, with a Fellowship in La Scuola Normale Superiore, Pisa.
In addition to organizing numerous conferences on contemporary Danish and Czech cinematography, she has published and lectured widely on such themes as the concept of authorship, film consumption and reception, and theatricality and language hybridization in the films of Mario Martone.
Her current research focuses on present-day West African francophone movies, Contemporary African Art and the role of music and dance in African film.
Member of the African Studies Association (ASA, USA), SOCINE (Brasil), and NECS (Europe).