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Drawing circles with darker sand found on site to create the ripples effect of 'water' in a dry lake. Done in the Tankwa Karoo. South Africa
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A Land art work that lasted for ne day. Balancing stones on sticks. Done in a dam near Meyerton, Gauteng, South Africa
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A sculptural tree made from mild steel for the Waterkloof Estate. Somerset West, South Africa
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Sculpture installation of woven sticks to form a circle with opening in the forest. Arte Sella sculpture park. Italia
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collecting different colour soil types in the area and draw over lapping lines. Touwsriver, South Africa
Recipient of the Jackson Pollock-Krasner Foundation Grant
Medal of Honor from the South African Academy of Arts and Science.
Nominated for the Daimler Chrysler award for sculpture in Public Spaces 2008
Recipient of the Prince Claus Grant Amsterdam The Netherlands
Kanna Award at the Oudtshoorn Art Festival for best Visual art projection in a musical in collaboration with the music of Laurinda Hofmeyr
Exhibitions and commissions on invitation were done in South Korea, Turkey, Belgium, France, Sweden, Lithuania, Japan, Australia, Germany, England the Netherlands and Italy.
He held many personal exhibitions in various art galleries in the past years and his work has been bought by numerous private and public collectors locally and abroad
Studied art at the Universities of Stellenbosch, South Africa, Hooge School Voor de Kunste, Utrecht, Holland. The Academy of Art and Architecture Praha the Czech Republic and the Kent Institute of Art and Design Canterbury, England.
As a land artist in general he uses the materials provided by the chosen site. His sculptural forms take shape in relation to the landscape. It is a process of working with the natural world, using sand, water, wood, rocks etc.. He shapes these elements into geometrical forms that participate with their environment, continually changing until their final probable destruction. He observes the fragility of beauty, while not lamenting its passing, what remains is a photographic image, a fragment of the imagination. While a visual record is materially all hat is left, he also leaves us a reminder of the capacity, however feeble, of an individual to alter the universe by embracing the ceaseless changing of nature, actively contributing to it and, in so doing, modulating and beautifying the outcome.
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Anselmo